History Of The Yamaha Guitar

!±8± History Of The Yamaha Guitar

The Yamaha guitar has been around for over 60 years and the company itself for over 100 years. In 1887, Torakusu Yamaha made his first reed organ and began taking orders to make more. In 1897, the Nippon Gakki Co. Ltd. was founded with Torakusu as president of the company.

For the next 40+ years, Yamaha's company made organs, pianos, harmonicas, furniture, phonographs and finally their first acoustic guitar in 1942. In 1965, a year after The Beatles made their legendary Ed Sullivan Show appearance, Yamaha began production of solid body guitars. In 1966, they started to make the electric bass as well.

By the 1970's, Yamaha started to grab the attention of major artists such as Carlos Santana and Bob Marley because of the instruments great quality and design. The Yamaha guitars were being built to produce a powerful warm tone with amazing sustain. Also, the "Broad Bass" was introduced in 1977 and quickly caught the attention of famous bass players throughout the world including Paul McCartney.

By the end of the 80's, Yamaha opened up a factory in North Hollywood, California. Here they started making guitars where they called on some professional guitar players to help them out and advise them on what they would like to see in their guitars.

One of the reasons behind the success of the Yamaha guitar is the targets that they shoot for in their design. Every guitar must have a balanced tone and response and the bass and treble must complement each other.

A very important move for Yamaha was the introduction of the dovetail neck joint to their design in the 1970's, which provides the best neck to body contact. The neck joint is made with timber, which helps to resonate vibrations easily from the neck to the body producing the balanced tone and response.

Yamaha also strongly believe that the blending of different kinds of quality wood is extremely important to produce a great sound. The outcome of blending these quality woods, are the highs last longer and the guitar player is able to control the note texture at all times.

Another important part of construction of the Yamaha guitars is the types of lacquer that they use. They work closely with the lacquer producers to make sure that they get the best type of lacquer that is right for their guitars. Yamaha want to make sure that their guitars both look great and have every chance to breathe.

Because of all these great design features, many artists have used and still prefer to strap on a Yamaha guitar on tour and in the recording studio. Some of the great artists that have played Yamaha guitars over the years are Michael Anthony, John Denver, John Lennon, Bob Marley, Brian May, Paul McCartney, Jimmy Page, Carlos Santana, Bob Seger, Billy Sheehan, Paul Simon, Bruce Springsteen and James Taylor.

History Of The Yamaha Guitar

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!±8± Mitchell MD100S Dreadnought Acoustic Guitar Natural

Brand : Mitchell | Rate : | Price : $189.99
Post Date : Dec 13, 2011 21:17:28 | Usually ships in 1-2 business days

Mitchell MD100S Dreadnought Acoustic Guitar Natural

• Body Style: Dreadnought Top: Spruce Back: Mahogany Sides: Mahogany Neck: Mahogany Fingerboard: Rosewood Bridge:
• Rosewood No. of frets: 20/14 open Scale length: 25-1/2" Nut Width: 1-11/16"
• Black Saddle: Compensated Width at Upper Bout: 11-3/8" Width at Lower Bout: 15-3/8" Maximum Depth: 4-3/4" Finish: Gloss
• Neck width at body: 2-1/8" String spacing at saddle E-E: 2-1/8" Inlay pattern: Mother of Pearl dots Rosette:
• Abalone Binding: White with Black/White/Black Purfling Pickguard: Black Bridgepins:

More Specification..!!

Mitchell MD100S Dreadnought Acoustic Guitar Natural

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Vintage Guitar Values - How Much Is Your Guitar Worth?

!±8± Vintage Guitar Values - How Much Is Your Guitar Worth?

Many of the visitors to my website ask about vintage guitar values. Do you have a guitar about which you would like to have information? Do you have a question about Fender guitar value, Gibson guitar value, or maybe the value of a Martin guitar? Even if you don't know what kind of guitar you have, a little research will help you to find the value of your guitar.

What makes a guitar valuable?

Several factors figure into the value of a guitar. In general, the guitar must be one which is sought after by collectors and musicians. The demand for a guitar is determined in general by quality, beauty, and playability. This demand must outweigh the available supply.Age is an important factor in the value of a guitar, but a guitar is not necessarily more valuable just because it is older. It must have been made with a high standard of quality in the first place. An old mediocre quality guitar is just that--an old mediocre guitar! The actual year that a guitar was made may not be as important as the PERIOD in which it was made.

For example, electric guitars which are most valuable today include Fender Telecasters made before 1954, Fender Stratocasters made between 1954 and 1959, and Gibson Les Pauls made between 1958 and 1960. Acoustic guitars of the greatest value include Pre-World War II Martins and Gibsons.This is not to say that other guitars are not valuable. Many vintage guitars will bring a good price. The trick is to know approximately how much YOUR guitar is worth.

How Do I Determine the Value of My Guitar?

In order for you or anyone else to determine the value of your guitar, you must have certain information available. Ideally, you would know the brand, model, and serial number. The brand and model, however, can often be determined through the serial number. Then you must determine the condition of your guitar--prices differ greatly according to condition. Here are some guidelines: (these guidelines are from the "Blue Book of Acoustic and Electric Guitars")

100% - New - New with all factory materials, including warranty card, owner's manual, case, and other items that were originally included by the manufacturer. On currently manufactured instruments, the 100% price refers to an instrument not previously sold at retail. Even if a new instrument has been played only twice and traded in a week later, it no longer qualifies at 100%.

Excellent - this Excellent condition range is represented by both High Excellent and Low Excellent condition. High Excellent refers to an instrument that is very clean, looks almost new (perhaps a few light scratches/dings only), and has hardly been used. Low Excellent refers to a guitar that has been played/used, and has accumulated some minor wear in the form of light scratches, dings, small chips, etc. The older an instrument, the less likely it will be in High Excellent condition Even Low Excellent is seldom encountered on instruments over 50 years old, since most acoustic instruments were originally purchased to be played

Average - The Average guitar condition factor indicates an acoustic guitar that has been in a player's hands and has worn due to player use (hopefully, no abuse). High Average condition instruments have normal dents, small chips, and light dings on the body, and/or scratches on the top and back. However, there should be no problems unless indicated separately. Low Average condition instruments may reflect major finish problems, replacement parts, previous repairs (especially on older instruments), alterations, and neck/fret wear is typically visible.

Once you have this information at hand, you can attempt to find the value of the guitar by consulting various sources on the internet or you can have it appraised by an expert. Researching the value of your guitar on the internet may be free. The downside is that this research requires a big expenditure of time and a wide knowledge of guitar pricing resources. If you have your guitar appraised, remember that the appraiser may also be a dealer who is, after all, wanting to make a profit by reselling the guitar. For this reason, the appraisal MAY be biased.

Because so many of my website visitors have inquired about the value of their guitars, I have begun to offer a GENERAL guitar evaluation service. This service is FREE. If you are interested, please visit:

Vintage Guitar Values at the May Music Studio Website.

Vintage Guitar Values - How Much Is Your Guitar Worth?

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Looking for a Quality Guitar? Consider Martin Guitars

!±8± Looking for a Quality Guitar? Consider Martin Guitars

The Quality Roots of the Martin
From 1833 until the present day, Martin guitars have been the stuff of legend. The stern, disciplined descendants of C.F.Martin have been faithful to his quality standards to a high degree. A lot of time and work still goes into the making of a Martin guitar, just as it did in 1833. The mystery is how the Martin Company survived for 177 years, when so many guitar makers did not. Christian Friedrich Martin arrived in New York, from Germany, in 1833. He had been an apprentice to the renowned luthier, Johann Stauffer, but had some guitar design ideas of his own. He did create Martin-Stauffer guitars but by 1838 had developed a solely Martin guitar with a paddle-shaped headstock, instead of the usual "f" shaped one. Then he teamed up with other guitar designers, the two most notable being John Coupa and Charles Bruno. In 1860 the Martin 1-28 came to be.

Early quality control established in the Guitar Industry by Martin
By the 1870's the 00 was introduced. Being a larger guitar with a big sound, it soon became very popular! This was just as Sears and Montgomery Ward were emerging as giant retailers, providing the means to get Martin guitars to the masses at a reasonable price. The only real competition came from the Chicago-based Washburn Company that had split off from the Ditson Guitar Company. The amazing thing about Martin was that, starting in 1898, every guitar they made was given both a production number and a serial number. This became very important, as record keeping and quality control was now taken very seriously by the wealthy collector. As Mike Longworth puts it so aptly in his book MARTIN GUITARS:A HISTORY, 'this means that your grandpa's old Martin guitar had a birthday'.

Martin Falls Behind
If the Martin Company had a failing, it was in their marketing. C.F. Martin Sr., who passed away in 1873, was succeeded by his son, C.F.Martin Jr., who was involved with civic and family duties. He let the business coast on its' laurels. The quality was still very high but so was the price compared ot other companies who had come on the scene. The company argued that it took good wood and lots of time to build a fine guitar, but rivals such as Lyon and Healey were making inroads. They used catchy ads and large catalogs to lure customers. Their Washburn brand was good yet inexpensive, so they became a dominant force in the decades to come.

Tropical Winds of Change Save the Martin
The third Martin, Frank Henry, visited the Nazareth, PA, factory in 1888 and realized it had to change. He introduced bowl-back mandolins in 1895 and published a catalog for guitars in 1898. Frank Henry Martin, however, did not have a flair for salesmanship, coldly reasoning with the public that a 'superior guitar should cost more but was well worth it'. This was true, of course, but the new style of flashy,cheap competitors was taking a toll on their bottom line.

In 1915 a lifeline came in the form of Hawaiian guitars that were becoming a craze. Martin began production of these in 1916, building them from Koa wood so they would be strong enough to handle steel strings. Then ukuleles followed, along with flatback mandolins. The day was saved and by 1920 the Martin Company was strong once more. The mysterious 'perfect timing' of certain members of the Martin clan was to become part of guitar folklore.

Banjo-Style Innovation Inspired New Rocking Design
By 1929, the fad for the ukulele and mandolins was over. At the suggestion of 4-string banjo players, Martin designed a guitar with a shorter body and a longer neck, adding two more frets to the existing 12 frets. Orchestra models and Dreadnoughts were soon in demand. The large rosewood-bodied guitars commanded attention. Herringbone D-28 and D-45 models would soon become collectors items. Movie star Roy Rogers played a Martin 1930 OM-45, which sold for a lofty price of 0. Most guitars in that day sold for around to . Many musicians bought the cheaper models and still played a good tune! The less expensive guitars kept Martin in business while The Great Depression wiped out most of the competition. Martin had solved the great mystery of survival, not even realizing how good their quality had become!

Looking for a Quality Guitar? Consider Martin Guitars

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